{"id":2212,"date":"2014-03-14T17:39:28","date_gmt":"2014-03-14T15:39:28","guid":{"rendered":"http:\/\/www.reinisch-graz.com\/exhibition\/happysulmtaltotalzerstoerung2012-herbert-brandl-2\/"},"modified":"2021-05-17T16:22:26","modified_gmt":"2021-05-17T14:22:26","slug":"happysulmtaltotalzerstoerung2012-herbert-brandl","status":"publish","type":"exhibition","link":"https:\/\/www.reinisch-graz.com\/en\/exhibition\/happysulmtaltotalzerstoerung2012-herbert-brandl\/","title":{"rendered":"HAPPYSULMTALTOTALZERST\u00d6RUNG<br\/> Herbert Brandl"},"content":{"rendered":"\n<p class=\"has-text-align-right\">2nd to 19th of May 2012<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1086\" height=\"534\" src=\"https:\/\/www.reinisch-graz.com\/wp-content\/uploads\/Brandl_Fassade2_small.jpg\" alt=\"\" class=\"wp-image-3572\" srcset=\"https:\/\/www.reinisch-graz.com\/wp-content\/uploads\/Brandl_Fassade2_small.jpg 1086w, https:\/\/www.reinisch-graz.com\/wp-content\/uploads\/Brandl_Fassade2_small-300x148.jpg 300w\" sizes=\"(max-width: 1086px) 100vw, 1086px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-right\">Herbert Brandl, the painter, creates images in which fleeting moments of (re)-cognition take turns with immersions into vibrantly coloured dream worlds. His works are poised in a state of uncertainty between abstraction and representation.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201cI develop colour out of colour, not out of form. In essence, my painting features blotches or clouds of colour, out of which evolves a dominant colour, which floods everything,\u201d the artist remarked recently.<\/p><\/blockquote>\n\n\n\n<p class=\"has-text-align-right\">Herbert Brandl, the citizen, uses HAPPYSULMTALTOTALZERST\u00d6RUNG 2012 to raise awareness of the imminent threat to one of Europe\u2019s most unique river landscapes, namely Austria\u2019s picturesque Sulm Valley.&nbsp;Curator G\u00fcnther Holler-Schuster:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201cOne may be doubtful as to whether the Sulm Valley can be saved from destruction. The artist\u2019s anger and society\u2019s apathy in the face of the ruthless treatment of nature and its resources are widespread and constantly fueled by new causes. Painting, as one of the most traditional forms of media within art, has few opportunities to actively intervene in social processes.\u201d<\/p><\/blockquote>\n\n\n\n<p class=\"has-text-align-right\">The&nbsp;exhibition&nbsp;presents a selection of oil paintings and monotypes. In this simple printing technique painted acrylic glass plates are pressed onto an image carrier, creating a series of unique images, comparable to the individual images on a film roll.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Gallery-owner&nbsp;Helmut Reinisch:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>\u201cI have known and appreciated Herbert Brandl since the early 80s and two aspects of his works are especially fascinating to me. On the one hand, he brings classic elements to contemporary art without being classic. What I mean by that is his treatment of colour and light, which he uses as tools more canvas and brush. On the other hand, that he reinvents himself every few years, surprising us with unconventional creations.\u201d<\/p><\/blockquote>\n\n\n\n<p>Pressrelease<\/p>\n\n\n\n<p class=\"has-text-align-right\">Chinese painting always strived to create not just a representational framework, but also a media locality where true life was possible. In this context, art is equated with the art of life (savoir vivre).<\/p>\n\n\n\n<p class=\"has-text-align-right\">Herbert Brandl confronts the audience with a similar situation. Some of his images, which aren&#8217;t always necessarily abstract, show partly recognisable structures that do not correspond to any conventional logic. They appeal vehemently to the inner visual consciousness of the audience. Powerful colour formations often push themselves across the image surface and conjure dramatic natural events, at times extending into dreamlike and psychedelic spheres. As much as his paintings might evolve around landscapes and mountains, they are also in a state of uncertainty between abstract and representational, which makes up the enigma of these paintings. The realistically formulated mushroom is suddenly made strange, appears monstrous and threatening &#8211; unreal.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\">G\u00fcnther Holler-Schuster<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2nd to 19th of May 2012 Herbert Brandl, the painter, creates images in which fleeting moments of (re)-cognition take turns with immersions into vibrantly coloured dream worlds. His works are poised in a state of uncertainty between abstraction and representation. \u201cI develop colour out of colour, not out of form. In essence, my painting features [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2480,"menu_order":76,"template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/exhibition\/2212"}],"collection":[{"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/types\/exhibition"}],"author":[{"embeddable":true,"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":17,"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/exhibition\/2212\/revisions"}],"predecessor-version":[{"id":13376,"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/exhibition\/2212\/revisions\/13376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/media\/2480"}],"wp:attachment":[{"href":"https:\/\/www.reinisch-graz.com\/en\/wp-json\/wp\/v2\/media?parent=2212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}